Loading...

digg:

Watch the Queen of England age through bank notes.

digg:

Watch the Queen of England age through bank notes.

likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
likeafieldmouse:

David Maisel - History’s Shadow (2012)
Artist’s statement:
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. 
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”

likeafieldmouse:

David Maisel - History’s Shadow (2012)

Artist’s statement:

My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes.

During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”

only-thee-best:

Surreal

djferreira224:

Salto Grande, Torres del Paine National Park, Chile ~  by Greg Boratyn.

griseus:

The spotted handfish (Brachionichthys hirsutus), an amazing creature that walks the ocean floor, is a rare Australian fish from the family Brachionichthyidae. It is classified as Critically Endangered on the IUCN Red List 2002. is the first Australian marine species to be threatened with extinction.
The greatest threats to the handfish appear to be siltation and invasive species. The Derwent Estuary where the fish lives is highly urbanised and industrialised, and a range of marine pests have been introduced through shipping.  One key pest is the Northern Pacific Seastar (Asterias amurensis), a particularly large and voracious predator that is now abundant in the estuary. Studies by CSIRO show that the seastars eat the stalked ascidians that the handfish use to attach their eggs.
video CSIROpublishing
griseus:

The spotted handfish (Brachionichthys hirsutus), an amazing creature that walks the ocean floor, is a rare Australian fish from the family Brachionichthyidae. It is classified as Critically Endangered on the IUCN Red List 2002. is the first Australian marine species to be threatened with extinction.
The greatest threats to the handfish appear to be siltation and invasive species. The Derwent Estuary where the fish lives is highly urbanised and industrialised, and a range of marine pests have been introduced through shipping.  One key pest is the Northern Pacific Seastar (Asterias amurensis), a particularly large and voracious predator that is now abundant in the estuary. Studies by CSIRO show that the seastars eat the stalked ascidians that the handfish use to attach their eggs.
video CSIROpublishing

griseus:

The spotted handfish (Brachionichthys hirsutus), an amazing creature that walks the ocean floor, is a rare Australian fish from the family Brachionichthyidae. It is classified as Critically Endangered on the IUCN Red List 2002. is the first Australian marine species to be threatened with extinction.

The greatest threats to the handfish appear to be siltation and invasive species. The Derwent Estuary where the fish lives is highly urbanised and industrialised, and a range of marine pests have been introduced through shipping.  One key pest is the Northern Pacific Seastar (Asterias amurensis), a particularly large and voracious predator that is now abundant in the estuary. Studies by CSIRO show that the seastars eat the stalked ascidians that the handfish use to attach their eggs.

melkior:

send hELP
melkior:

send hELP

melkior:

send hELP

myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail
myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail
myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail
myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail
myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail
myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail
myampgoesto11:

Luke Jerram: Glass Microbiology
T4-Bacteriophage
Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
H1N1 “Swine Flu” detail
H5N1 “Avian Flu”
E. coli
Malaria
Human Papillomavirus detail

myampgoesto11:

Luke Jerram: Glass Microbiology

  1. T4-Bacteriophage
  2. Enterovirus 71 (EV71), one of the major causative agents for hand, foot and mouth disease (HFMD)
  3. H1N1 “Swine Flu” detail
  4. H5N1 “Avian Flu”
  5. E. coli
  6. Malaria
  7. Human Papillomavirus detail

ponderation:

The Seastacks of Vík by Maurice Lepetit

oldoils:

Niagara Falls (detail) - 1857
Frederic Edwin Church

sciencefictiongallery:

Chesley Bonestell - Terre primitive